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Call him
a producer, but he's really a mentor
By James
Tabafunda
For the Northwest Asian Weekly
While comedy requires an understanding of humor, Roger Tang doesnt
see himself as being particularly funny, a quality he admits he has to
work on. What Tang does see is how humor can be used to enlighten audiences
about Asian Americans namely, that theyre funny, too
and to examine critical Asian American issues.
Seven years ago, Tang, 48, and co-founder David Kobayashi created the
Pork Filled Players (PFP) a name that is reminiscent of pork-filled
dumplings and refers to the tendency of its actors to ham it up. They
wanted it to address, among other issues, interracial dating and standards
of beauty in a non-threatening, clever way.
PFP is the latest version of Tangs previous theater groups, 11:07
Late Night at the Northwest Asian American Theatre (1994) and OPM
(1996). He characterized both groups as being edgier than PFP. Wanting
a more family-friendly comedy group, he and Kobayashi ended OPM and started
PFP.
Some (of our shows) are absolutely family-friendly, but we also
do shows that are a little more PG-rated, explains Tang.
PFP has anywhere from seven to 12 members at a time. While this
is an Asian American group, were not limited to just Asian Americans
as actors, says Tang. I make it a point to say that a lot
of things you want to say as Asian Americans have their best impact if
you compare and contrast with non-Asians or white people.
Besides acting in various comedy sketches, they all develop a variety
of other skills. Tang said, Theyll write, about half of them.
The other half will want to write and well say, Well, this
needs a little work here. We do make an effort to make sure that
if they come up with an idea, well work with it so that its
useable on stage.
As for a formal education or previous experience in drama, he says its
not a must-have to join PFP. The only requirement: the talent to act.
To keep PFP afloat, however, they must also be willing to take on extra
duties, such as costume design, technical work and marketing.
PFP is one of many Asian American sketch comedy groups in the United States.
Tang said New York City alone has two or three groups, and singled out
SLANT (a performance trio that includes Perry Yung, Richard Ebihara and
Wayland Quintero) as the best. Other noteworthy groups include Asians
Misbehavin in Philadelphia, Stir-Friday Night! in Chicago and Cold
Tofu (co-founded by former Seattle resident Marilyn Tokuda) in Los Angeles.
In addition to being a single, heterosexual, Asian male (whos)
looking, Tang sees himself as being a major supporter of Asian American
actors. Ive been in this (theater business) long enough that
I feel like Im a mentor to developing, emerging artists. Its
important for me to be able to shepherd along emerging artists in their
development, he said.
He has produced, directed, written and acted in about four or five dozen
local and regional productions, including Red, Pork & Blue
(2004) and Crouching Pig, Not So Hidden Chopsticks (2001).
As a boy, he considered becoming a physicist, doctor or engineer, usual
career choices among many young Asian Americans. Leaving Phoenix to attend
Stanford University, he met dormmates David Hwang and Philip Gotanda.
(Today, they are better known as the famous playwrights David Henry Hwang
and Philip Kan Gotanda.) Tang began his career designing sets for them.
In addition to producing and writing, Tang works as a fund-raiser at the
University of Washington and runs the Asian American Theatre Revue (www.aatrevue.com),
one of the better resources on the Web for Asian American theater,
Tang proudly points out.
This month, he is being kept busy with the Pork Filled Players latest
show, In the Mood for Lard: bacon whoopee & other participatory
sports. It runs Feb. 4 to Feb. 26 (Fridays and Saturdays only) at
8 p.m. at the Northwest Actors Studio, 1100 E. Pike St., Seattle. For
more information, visit www.porkfilled.com or www.nwactorsstudio.org/porkfilled.shtm.
James Tabafunda can be reached at scpnwan@nwlink.com.
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