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By Ann-Marie
Stillion
The Fifth
Book of Peace, by Maxine Hong Kingston. Published by Alfred A. Knopf,
2003.
When Maxine Hong Kingston first conceived The Fifth Book of Peace, she
wanted it to be a work of fiction. But when the novel burned up in a catastrophic
fire, the famous memoirist returned to her strengths to rewrite the work.
The end result is a weaving of daily events, history, fiction, memoirs,
philosophy and essays. The Fifth Book, like the concept of peace itself,
is not something to be nailed down, the author tells readers, but rather
something to be lived and breathed and discovered at every moment in ones
life.
This book takes you into not only the personal life of the author, but
also into the extraordinary grasp of her mind. She urges readers to think
of how they themselves can create a true community which in its
essence is where Kingston believes peace can be found. If you want to
know what peace is, she says, find out who you are without the fluff,
without the fakery.
Kingston started this project as a search for ancient books in China.
She looked for evidence of the lost books of Chinese literature in her
own travels. For many years, wherever she went, she asked, Have
you ever heard of the Three Lost Books of Peace? A lecturer in creative
writing at the University of California at Berkeley, she even asked students
to look for them in their own travels. When nothing definitive emerged,
Kingston decided to write her own books. And so the idea for The Fifth
Book was born.
Kingstons illustrious writing career has been marked by social justice,
beginning with 1976s The Woman Warrior: Memoirs of a Girlhood Among
Ghosts, which gave voice to women the world over and even altered language
itself.
The Fifth Book of Peace has heart, and it is a true gift from a hard-working
writer who has set off in her own way to lead us closer to peace.
The Girl from the Coast, by Pranmoedya Ananta Toer. Published by Hyperion
Books, 2002.
The Girl from the Coast has the steady and clear feeling of a fairy tale
or myth, as if the story has been told and retold.
The story begins with a young girl married to an older man. She is from
a fishing village; he is from the city. Born into a culture strictly divided
by class and wealth, the girl, whose name we never learn, is a practice
bride. As the story unfolds, the reader comes to understand what
this means. Regardless of the joys and longings she may have, her life
is strictly defined by custom and poverty. The tale that emerges is one
of wisdom and courage under pressure.
Said to be a retelling of the life of the authors grandmother, the
novel carefully traces the emotions of a young girl as well as the reality
of life as a virtual slave to men, to those with more wealth and to those
born of higher class.
Many of the authors works have been written behind bars, as he has
been a political prisoner. A feeling of confinement the girls
and all those who are her friends and relatives is palpable. We
are left with deep compassion for a distant place and a broader way of
looking at the struggle as seen through this Indonesians elegant
storytelling.
This story was originally intended to chronicle the growth of the nationalist
movement in Indonesia. It is the only remaining novel of a trilogy by
the author. The other books were destroyed by the Indonesian military.
Ann-Marie Stillion can be reached at annmarie@nwasianweekly.com.
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