nwasianweekly.com
April 24, 2004


Join the Northwest Asian Weekly for Rainbow Bookfest: Celebrating Authors of Color at Union Station, 401 S. Jackson St. in Seattle, on April 24, 2004. It will feature panel discussions, readings by authors, a poetry slam, workshops for kids and much more. Admission is free. Visit www.rainbowbookfest.com for more info.

A Quick Look at Books

Roger Shimomura: Stereotypes and Admonitions.

Published by Greg Kucera Gallery, 2004.

“I have often told my students that if making art is of paramount importance in their lives and that if they are willing to commit themselves to hard work and maintaining an engaged mind, they will eventually be able to free themselves of everything they learned about art. I know from my experience that I have found this to be true,” Roger Shimomura said.

Shimomura’s engagement has led straight to the formal study of racist iconography, as often portrayed in advertising and commerce. His high-keyed paintings and prints are serious exposés of individual as well as cultural failures of communication, tact and wisdom. Where some have cracked under the pressure of a divided society, this artist made a fine art career — as a professor and an artist — tracing his everyday life as a Japanese American.

Shimomura mounted a one-man show of his work at Seattle’s Greg Kucera Gallery in March. Art collectors could take home his disturbing images for $5,000 a piece. Half of the works were sold from the exhibit! Those who peered into the gallerist’s office, though, found another treasure. A slim book about the size of a car map was printed to accompany the exhibit, and it is still available at a moderate price.

The catalogue holds not only all the images in the exhibit but also Shimomura’s detailed wall cards, often describing a personal incident that preceded the painting.

The notes allow access to the inner life of an important American artist. It also gives the reader greater ability to ponder the issues than a breeze through a crowded gallery might.

The catalogue was made possible by the gallery, the artist and a grant from the Joan Mitchell Foundation.

All Over Creation, by Ruth Ozeki.

Published by Viking Press, 2003.

Ozeki’s wild ride into the Idaho potato fields is laced with asides on everything from genetic engineering to the dramatic evocation of seeds popping underground. All Over Creation, a novel, connects the dots of disease, food and environment, but manages to also reveal much about the lives of some who are still living off the land in the modern American West.

“No one said much either when Lloyd brought my mom home from Japan after the war, at least not to his face,” says a character named Yumi. Creation revolves around the lives of a farming family — Lloyd and Momoko Fuller and their daughter Yumi — who long ago managed to silence clucking neighbors with their successes, only to find other cultural forces blowing through their lives like a cold spring wind.

As novelist Barbara Kingsolver has pointed out, Ozeki’s second book is nothing less than the Edward Abbey’s Monkey Wrench Gang fast-forwarded 30 years — but with a fresh and individual voice. Something of a modern fictional crusader, the author manages to show eager readers the dark side of modern agribusiness while remaining witty and even optimistic. It was Abbey who famously said that it isn’t enough to fight for the environment; it is equally important to get into it and enjoy it.

And enjoying life and its heartaches is definitely part of this environmental romp. Ozeki’s activists journey across America dressed as cows and potatoes. The author’s gift for dialogue and emotional connection allows us to slowly come to grips with Lloyd’s “dying earth” and makes sense of Yumi’s complex flight from adoring parents.

Ann-Marie Stillion can be reached at annmarie@nwasianweekly.com.

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