|
Poems
of the Masters: Chinas Classic Anthology of Tang and Sung
Dynasty Verse, translated by Red Pine, debuted last spring
when Port Townsends Copper Canyon Press put on a lush evening of
poetry and scholarship amidst the countless treasures found in the Seattle
Asian Art Museum.
Featured that evening was a living human treasure, Bill Porter, or Red
Pine, as he is also known. The gathering celebrated and honored the great
poetic tradition of China something the translator has devoted
most of his life to.
The first exposure I had to the writing of Bill Porter was in the 1990s,
when Road to Heaven: Encounters With Chinese Hermits, seemed to
leap from the bookstore shelf and into my hands. Although its been
10 years since I read the book, which is part-travelogue and part-philosophical
history, I can still journey back in my mind to the wild haunts of the
deep heart of China, so vivid and fresh was his approach.
Porter and a photographer tramped into the Chungnan Mountains in 1989
to write Road to Heaven. They returned with a collection of stories
from the hermits they met and the hermits they had heard of. Both scholar
and adventurer, the author details stories of dozens of men and women
who had chosen to live outside of the confines of society.
Poems of the Masters is the other, and more well known, side of
the translators works. Although he does not consider himself a poet,
the way in which he dances with language and form has led many other readers
to believe Red Pine to be one. He describes his latest translation effort
thusly:
The Chinese title of this book is Chiien-chia-shih, which
literally means Thousand Poems of the Masters. There are, however, only
a hundred or so poets represented; hence, I have dropped the numeral.
Despite the exaggeration, Poems of the Masters includes the most-quoted
poems of Chinas Golden Age of Poetry. And for the past eight centuries,
it has been the most memorized collection of verse in China and part of
every students education.
Poems of the Masters renders both the Chinese and English on facing
pages. This, together with the authors notes on the poet and a brief
history of the time in which it was written, allows the readers to readily
envision thoughts uttered a thousand years ago.
In Mister Sus Country Retreat, for example, the poet
Tsu Yang (699-746) visits a friends retreat. The translator tells
us that not long after he wrote this, the poet resigned his post to live
in a hermitage. The longing for a quieter, richer internal life easily
resonates today:
Your country retreat is such a quiet place
I think of retiring each time I come
the Chungnan Mountains fill your doors and windows
the Feng River brightens your trees and garden
your bamboos bend with winter-long snow
your courtyard is dark before dusk
beyond the sound and reach of man
I sit and listen to the birds of spring
The 224 short poems in the anthology were first published in China around
the 13th century. They are a continuing exploration of Red Pines
fascination with the hermit tradition as well as what he calls the greatest
art of China, its poetry.
The introduction points out that these poems came from a time when poetry
was everywhere and people at all levels of society wrote and included
poetry in all aspects of life. Chang Feng (1052-1112) was a minister in
charge of religious observances in the Sung capital of Kaifeng and a member
of a famous literary coterie. His poem Summer Day reveals
his love of simplicity:
Late summer on the river the sun and wind are mild
the little birds below the eaves are grown
sun-drenched butterflies dance among the flowers
newly spun spider webs brighten every room
threadbare curtains invite the moons reflection
a pillow made of clay echoes with the current
my long-graying temples recall the frost and snow
let me pass this life chopping wood and fishing
Dont rush out to buy this book. Buy it on a day when you have decided
to do nothing other than enjoy every minute of life. Or wander to the
library gazing at the clouds overhead as you stroll. Sit for a while with
shih, the language of the heart, and listen and enjoy.
Ann-Marie Stillion can be reached at annmarie@nwasianweekly.com.
|